Massive Coalition of Japanese Organizations Campaigns Against TPP Copyright Provisions

Negotiators have reportedly agreed to set their copyright terms to the length of an author’s life plus 70 years. Since the news was leaked, there has been growing opposition among Japanese users, artists, and fans against this copyright expansion—which is nicknamed the “Mickey Mouse Law” there due to Disney’s heavy lobbying that led to the copyright extension in the United States nearly two decades ago. The issue gained substantial awareness when prominent Japanese copyright lawyer, Kensaku Fukui, wrote a blog post about the TPP’s threats to Japanese Internet users and culture that went viral a month ago.

Then in a widely-covered public press event last week, representatives of the Japanese digital rights organizations, MIAU, Creative Commons Japan, and thinkC, presented a joint statement endorsed by 63 organizations and businesses that describes the threats that the TPP’s copyright provisions would pose to Japan’s culture. The event was also streamed online, where over 15,000 users tuned in to watch. Several creators, including playwright Oriza Hirata, cartoonist Ken Akamatsu, journalist Daisuke Tsuda, and Yu Okubo of the online digital archive, Aozora Bunko, and others, joined the announcement to support the campaign against over-restrictive copyright rules in the TPP. In their presentation, they discussed how lengthy copyright leads to a massive orphan works problem and an environment that make cultural archiving and preservation exponentially more difficult.

In addition to opposing lengthy copyright terms, the anime and fan-art community are also concerned about the TPP’s criminal enforcement provisions. There is a particular section that says that “competent authorities may act upon their own initiative to initiate a legal action without the need for a formal complaint” by the copyright holder. The fear is that this would lead to a major crackdown on derivative works, including written or drawn fan fiction, recorded music covers of songs, or cosplayers, who may upload photos of themselves dressed as characters. These are all elements of Japan’s thriving “otaku” culture, which has spread around the world and brought in millions of dollars for Japanese creators. Japan does not have a U.S.-style fair use system, in which there are flexibilities for uses based upon the nature, purpose, amount, and effect of the use on the market for the original copyrighted work. So Japanese fans could be criminally liable for their work if any “competent authority” can claim that a derivative work constitutes criminal copyright infringement. This would have a huge chilling effect on vibrant communities of fan fiction that exist on Japanese websites.

Both the copyright term expansion and the non-complaint provision previously failed to pass in Japan because they were so controversial. Now that we at least know for certain that copyright extensions could pass in the TPP, the media there is finally taking notice. The organizers made national news as major Japanese news outlets covered the event.

We are thrilled to see this issue get such mainstream attention in Japan, and support their statement calling on negotiators to remove all controversial copyright provisions from the TPP, including the copyright term extensions, criminal enforcement, anti-circumvention of DRM, intermediary liability, and others. The EFF is also working alongside the Fair Deal Coalition, the international coalition of digital rights groups from TPP-negotiating nations, to create a project to fight the TPP copyright extensions. Stay tuned for this new global effort to stop the TPP from capturing more of our valuable shared culture through the trap of copyright’s restrictions.