Jun 222017
 

Tomasz Kasprzak, Olga Jurkowska, Alek Tarkowski and Anna Buchner
Communia Association (CC-0) |  Full Report (PDF)

EXECUTIVE SUMMARY:  We asked thirty teachers from five European countries about copyright in schools. Our respondents included teachers implementing education innovations and actively using new technologies. These are our study’s key findings:

The best way for teachers to gain familiarity with copyright is to become creators of educational materials. Such creators have two options: either use copyright to protect their work or share it using a Creative Commons license. Continue reading »

Jun 222017
 

[Reposted from michaelgeist.ca, Link (CC-BY)] The U.S. just completed its consultation on negotiating objectives in the upcoming NAFTA re-negotiations (the Canadian consultation is open until July 18, 2017). There are well over a thousand comments, but a review of the lobby groups who pay attention to copyright reveals that they hope to use the talks to make significant changes to Canadian copyright law. This was expected – I touched on the trade dimension of domestic reforms in my recent Policy Options piece on the 2017 copyright review – but the extent to which many groups want to toss aside foundational elements of Canadian copyright law may still surprise. Continue reading »

Jun 212017
 

Delia Browne, University of Auckland

The Copyright Amendment (Disability Access and Other Measures) Bill 2017 (the Bill) was passed on Thursday 15 June 2017 and will become law sometime in late December this year (six months from Royal Assent)

See here for a copy of the Bill.
See here for a copy of the Explanatory Memorandum (EM).​

The new law includes a number of reforms that have been sought by the education sector for years.  These include  Continue reading »

Jun 212017
 

(CC-BY-NC-ND) – Rakka

Today’s New York Times features a story on a leaked draft outline the Trump Administration’s upcoming Executive Order on drug pricing. According to the Times, “the document directs the United States trade representative to conduct a study of price differences between the United States and other countries, and to review trade agreements that may need to be revised ‘to promote greater intellectual property protection and competition in the global market’.”

It as many others have already pointed out (KEI, Public Citizen, UEAM), this will do nothing to reduce drug prices in the United States. Continue reading »

Jun 192017
 

[Afro Leo, Afro-IP blog, Link (CC-BY)] Last week WIPO, Cornell University, INSEAD and their knowledge partners published their annual Global Innovation Index GII 2017. This index is a global benchmarking tool for determining the state of innovation on the globe. Its premise is that innovation is the key driver for economic growth and general prosperity.

The GII is notable because it far more than a measure of R&D or levels of patenting. Continue reading »

Jun 162017
 

Burcu Kilic and Renata Avila. Cross posted from Open Democracy, Link (CC-BY-NC) 

As we enter the uncertain Trump era with respect to trade policies, one can only guess that big trade players will come back to the multilateral fora, such as the World Trade Organization (WTO), as a reliable vehicle to foster their global trade agenda, especially as the free trade agreement (FTA) model fell apart after President Trump took office. Since the Trans-pacific Partnership (TPP) is dead, Transatlantic Trade and Investment Partnership (TTIP) and Trade in Services Agreement (TISA) are on hold, a return to the multilateral WTO offers the best chance of progress on e-commerce rules. Continue reading »

Jun 162017
 

The 2017 Global Innovation Index has been jointly published under a Creative Commons license by WIPO, Cornell University and INSEAD. The WIPO press release on its publication is here.  The “Key Findings” section is reproduced below.  Click here for the full report.

Key Findings

From the Global Innovation Index 2017, devoted to measuring the innovation performance of 127 economies and the theme ‘Innovation Feeding the World’, six messages emerge. Many of these messages are concerned with innovation as a driver of growth generally. One is concerned specifically with the role of innovation as a way to address the growing need for advances in agriculture and food value chains. Continue reading »

Jun 152017
 

Without a refocus on user rights, transparency, and meaningful public input, the agreement will become a bonanza for copyright maximalists

[Timothy Vollmer, Creative Commons, Link (CC-BY)] This week Creative Commons submitted comments to the Office of the United States Trade Representative (USTR) regarding negotiating objectives for the modernization of the North American Free Trade Agreement (NAFTA). Continue reading »

Jun 142017
 

[María Juliana Soto, Karisma, Link (CC-BY)] Karisma Foundation, a Colombian civil society organization, is launching a crowdfunding campaign to support Diego Gómez, a biologist accused of copyright infringement for sharing a scientific research online.

When he was a college student at Universidad del Quindío, Diego uploaded a thesis from a colleague at Universidad Nacional de Colombia on the document platform Scribd (citing the author’s name). He also shared it with several of his peers in social media. Continue reading »

Jun 132017
 

Sean Michael Flynn and Michael Palmedo
Comments to U.S. Trade Representative, re: NAFTA Negotiation

The AU Program on Information Justice and Intellectual Property has been working over several years on empirical research pertaining to the impact of balanced copyright systems on trade and economic development. One key element of an adequately balanced copyright system is having sufficiently “open” limitations and exceptions for the digital environment. We refer to “open” limitations and exceptions for the digital environment as those that are open to the use of any kind of work, by any kind of user and for any purpose, as long as the use does not unreasonably prejudice the legitimate interests of the author. Such openness is the hallmark of the U.S. fair use clause. These “open” aspects are crucial because the digital environment creates new opportunities to use different kinds of works, by different users and for different purposes than were envisioned in most copyright statutes. An open statute is a flexible one – and flexibility is needed to accommodate and encourage innovation in the digital environment.     Continue reading »

Jun 132017
 

All over the world, copyright regimes have figured out how to write exceptions that don’t hurt the market for creators’ work but permit new work to be made without strangling costs. But Australia has one of the most rigid copyright regimes in the world. What happens here to creators who have to work under those conditions?

A team at the Queensland University of Technology, for which I am principal investigator, has been tackling that question. I’ve been talking to Australian creators – writers, filmmakers, musicians, visual artists, curators and more – and conducting a survey to find out how they deal with Australia’s copyright rigidities.

We are only asking questions about creators’ own practices, and we are still collecting data. But we’re already seeing patterns. And so far they are concerning for Australian national creativity, culture and identity.

Click here for the full story on the Sunday Paper’s website.