Abstract: Digitization has impacted firm profitability in many media industries by lowering the cost of copying and sharing creative works. I examine the impact of digital rights management (DRM) – a prevalent strategy used by firms in media industries to address piracy concerns – on music sales. I exploit a natural experiment, where different labels remove DRM from their entire catalogue of music at different times, to examine whether relaxing an album’s sharing restrictions increases sales. Using a large sample of albums from all four major record labels, I find that removing DRM increases digital music sales by 10% but relaxing sharing restrictions does not impact all albums equally. It increases the sales of lower-selling albums (i.e., the “long tail”) significantly (30%) but does not benefit top-selling albums. These results suggest that the optimal strength of copyright depends on the distribution of products in firms’ portfolio.
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Ahmed Abdel Latif
Alek Tarkowski
Alexander Dent
Allan Rocha de Souza
Andres Guadamuz
Andres Izquierdo
Brandon Butler
Brook Baker
Burcu Kilic
Carolina Botero
Carolina Rossini
Caroline Ncube
Carrie Sager
Celeste Drake
Christophe Geiger
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Eve Gray
Hafiz Aziz ur Rehman
Heesob Nam
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Jonathan Band
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Joe Karaganis
Krista Maier
Lina Diaz
Leanne O’Donnell
Marcela Palacio Puerta
Matthew Rimmer
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Michael Carroll
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Michael Palmedo
Michael Smith
Miguel Morachimo
Meredith Jacob
Margot Kaminski
Pedro Mizukami
Peter Maybarduk
Pranesh Prakash
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Sangeeta Shashikant
Sara Bannerman
Stela Bivol
Sean Flynn
Stephanie Rosenberg
Susan Chalmers
Thiru Balasubramaniam
William Xu
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